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She stumbled through a thorny copse, her slippers sliding on patches of sand that gave way to rock. Kneebone. But it was otherwise with the carpenter. ” He turned upon her almost fiercely. It hardly served his interests. ‘You do not believe me?’ ‘I do not. ” Anna looked at her steadily. ‘We mean you no harm,’ he said reassuringly. The Jew did not speak, but pointed to the audience-chamber. It is for that reason that this novel begins with her there, and neither earlier nor later, for it is the history of this crisis and its consequences that this novel has to tell. ” Anna shook hands with Brendon—a young man also, but older and more selfpossessed than Sydney Courtlaw.

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