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"It's an ill wind that blows nobody good," thought the carpenter, turning his attention to the child, whose feeble struggles and cries proclaimed that, as yet, life had not been extinguished by the hardships it had undergone. Could you come to tea at my rooms one afternoon, or would you dine with me somewhere, and do a theatre? We could have a private room, of course, if you do not wish to be seen about London, and a box at the theatre. This person—this Jonathan Wild, whom I beheld for the first time, scarcely an hour ago, in Wych Street, is—I know not why—my enemy.
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