The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. “I’d run away with you in a heartbeat. She had never had a real doll. A beachcomber in embryo, and she had lent a hand through habit as much as through pity. It had been part of her wedding trousseau, a gift from her family to his. Here the prisoners took exercise; and a quaint, but striking picture has been left of their appearance when so engaged, by the author of the English Rogue.
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