Manned by a couple of watermen, who rowed with great swiftness, this wherry dashed through the current in the track of the fugitive, of whom it was evidently in pursuit, and upon whom it perceptibly gained. Gerald pressed against the wall, and signalled Roding to go to the other side of the door. Art was everywhere, underfoot in the form of mosaics, overhead in the form of architecture. . .
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